la musique is a pumped-up party track that is set to scorch dancefloors all over the planet. first appearing as a stand out track on the trail blazing kitsune maison compilation 4, relish recordings label maestro headman wanted to bring riot in belgium to the clubbing masses…and were so glad he did. the track draws you straight in with one of the catchiest hooks of the year and teases you until the beat drops like getting slapped in the face with an 808 state record thrown by justice. upon hearing the track kiss fm and london dj star sinden couldnt help but take a break from his busy schedule to bestow us upon us a killer socca-bass remix that will turn heads upside down and give clubbers a bombastic vibe that will have them up for days. on the flipside relish recordings new artist revlover injected some steroids into the original. harder and stronger the revlover edit blasts riot in belgium to the upper stratospheres of filthy electro

part 2/4 of the primate 100 series !! celebrate the birthday with rockin tracks by marco bailey, trevor rocklife, john warwick and tcp

the upon you 006 is the birth hour of the berlin duo fraenzen texas and ruede hagelstein. knowing each other since early childhood they started their dj career together in berlin. by now they are resident dj’s in the watergate club and the two build their studio into the epicentre of the upon you empire, so it is not surprising that the cheapers has become the first own label-act. related to the style of their dj sets that they prefer to play in ping-pong fashion, the fog & frogs e.p. is focusing on the contrast between dark shallows, hypnotic currents and enlightening moments full of fantasies and plenty of inanities. two tracks that stand for the amplitude of their future productions

palette is proud to debut its newest artist, dave hughes. the irish born, la-resident sound engineer finally let palette in on his music making secrets. the result is daves debut ep >lets do it<. a three tracker showcasing what is to come from this visionary artist. >lets do it< kicks the ep off with a strong rhythmic solid base which alone would be enough to solidify it as a stand out track, but without delay the song quickly develops into a musical journey with rhythmic chords at the end providing the icing on the cake. the flip side provides two more tracks of the same calibre, >it all deepends< and >realization< showcase great sound design skills and a message about our own humanity. take in to account the heavy subs and intricate drum programming and you have what we feel to be a classic palette recordings single

zimmermann alias jens zimmermann aka tyrell corp. aka dj gargamel is constantly changing yet always the same: a damn good producer. from his early days when he whipped up tracks by culture beats and out of the ordinary into dancey frenzy with well-known german producer torsten fenslau, to his drum n bass-fuelled moments of technical innovation, jens has never been one to stand still. constantly reinventing hilmself, he always managed to keep things ticking, making him one of the most sought-after producers in the late eighties and throughout the nineties. now, in 2007, after years of noise research and sound sculpting, he is re-emerging as zimmermann which stands for >new german minimal sound<. after three much-celebrated releases, aptly called zimmermann #1, #2 and #3 on room recordings, which were severely hyped up by germany s house fraternity, and releases and remixes on boxersport, k2,and hifreaks as well as on harthouse mannheim, the future is looking bright for jens

the quake has a completely fresh sound, not strictly breaks, house or electro, but possessing elements of all 3 genres, its about the groove, warm synth work and the phonat style cut up female vox. splank! favourite malente provides the remix action for this single. having released the 2 & only on splank! last year alongside sometime production cohort (lars) moston, this year has also seen malente release his fourth studio album on unique records how can you still stand to stand still, and more recently he has remixed coburn. the remix takes a 4/4 route, as malente keeps many of the original parts, but re arranges them into his original production style, and creates an absolute monster that goes into overdrive after the drop.

this is volume 2 of 7th citys classic series. it features one of seventh citys best selling releases, john tejadas funky anthem >timebomb<. when originally released in 2001 it became a massive track played in all the top clubs worldwide. despite having a incredibly prolific catalog of releases, timebomb still remains one of john tejadas biggest and best known records. also included is a special edit of paris-based producer jean guillaume cabannes (better known just as cabanne) >cant stand<. as with so many seventh city artists, his release on the label established him with a wider audience and he continues to have success to this day with his own-imprint minibar and as well with his collaborations with ark and david gluck. this version of >cant stand< is an edit by daniel bell, which emphasizes the tracks loopy flow. the original version of the track was released in 2002.

12 unreleased tracks from the legendary singer/songwriter/producer recorded in late 70s/early 80s.some are the original demos of tracks he wrote for others like its so easy (you can do it dino terell), moment of my life (inner life), fly girl (intrique) and youre my number one (change) which all stand up well against the released versions because leroys voice is so good. of the 7 new songs the best are the classic burgess boogie tracks like scandal, midnight in the streets, keepin on, under da radar and hold up whilst all into you is am id tempo groover. the live cover of the isleys hello its me is also interesting. this brilliant project is unmissable if you are into burgess, boogie or early 80s uptempo soul.

if youre fed up of looking out your window onto grey dreary weather and desperately need some sunshine in your life then you are in luck. chris lakes new track >carry me away< does just that... described as being >reminiscent of a hot summers day dancing on the beach< this track is tipped for huge success. featuring the sultry voice of emma hewitt, an uplifting piece of blissed out electronica, you cannot help but fall in love with emmas beautiful vocals over a hooky piano riff that is chris trademark. complimenting the original, there is the sébastien léger remix which tears apart chris mix that gives you a deep, dark, electro-twisted journey, still keeping the vocal with a soaring orchestral break that makes the hairs on the back of your neck stand on end

mihai popoviciu (romania). after his first single for international gigolo records and some smaller releases, this is mihais first ep in 2007. on the a-side >first contact< he starts the other way round. the sequence bores this time the sequence reaches the head before an undulating bassline arrives. then in the perfect teamwork, nobody could stand still. with b1 >capcana< the sequence and the bassline are running at the same time, and will be differently modulated over and over again. b2 >sharp< is based on a rhythmical grooving which develops later with a sequence on his side to a perfect hypnosis

the >lucknlove ep< by munich based producer and dj max cavalerra comes along in karmarouges typical warmness, with lots of energy in rhythm and in an emotional sunny spellbound robe. picturesque sounding melodies are moving in bewitching clarity and danceable elegance among minimalist harmonies and playful techno rhythms. three tracks, each a unicum with distinctive temper and recognition value. three tracks filled with heart’s blood and emotions that stand in times of great love as well as in times of huge desperation solid as a rock.max cavalerra has produced with his >lucknlove ep< a record that evolves a unique style of sound, influenced and inspired by techno, jazz, classical music and ambien

cynic returns with a great 12inch of disco tastic madness. the grooves are loose, the riffs low slung and the beats punchy. just the kind of stuff we re used to hear from the cynic stable. proper bomb. this e.p features three hot tracks in a tribute to the sundance kid, the a side the sundance kid, comes complete with galloping horses, rattlesnakes and gunshots this track is the wild west meets the mirror ball. the first track on the b side westbound 23, is named after the first train robbery that the sundance kid committed in his early years before he joined the wild bunch, the blaze of glory that finishes the e.p. is a reference to the well documented last stand, where butch cassidy and the sundance kid were surrounded by the bolivian army

mr. hawtin, locodice and the whole minus bunch is simply loving this one !!

dont worry, christophe dalla-ca aka kiko is not interested in a seventies disco revival, even if the tongue in cheek reference to john travolta in the title track of this ep might imply that. on the other hand, the work released by the man from grenoble for such renowned labels as ozone, hot banana, goodlife and turbo has consistently shown that kikos interpretation of techno from the 2000s also includes a conscious reworking of past dance floor orientated electronic music. in this sense, kiko has succeeded in making three stand alone, coherent interpretations of a mutual meltdown of new wave, disco and elektro, with the tracks on the >tragolta ep<. whether he is impressing with the best possible mix of ebm and dave clarkes red series (30.1) or enchanting us with the continuously jewel like, dazzling melancholic melodies of >electric burst< or >tragolta<– the fact remains true that he perfectly supplements this approach to the sound cosmos of datapunk

recognise is a ruthless peaktime roller, wrapped up in a jackin house vibe and armed with a bassline that just wont let you stand still for a second. baobinga & i.d.s latest production has already been shaking the floor during their monthly residency at fuse, manchester with early support also coming from the likes of krafty kuts, skool of thought & 30hz. vandal is arguably the production worlds finest exponent of electro tinged breakbeat, producing hits like mad as hell on meat katies lot49 imprint which received 25 plays on bbc radio 1 or delivering the goods which went on to become one of plastic rayguns most successful releases. since his first release he has built up a reputation for constantly pushing the breaks sound, his remix of recognise provides a text book example, delivering a throbbing breakbeat madness that already has the backing of hyper

nice price deal !!! pure club grooves by deepgroove here this 12 incher feat 3 additional tools to work with get it and enjoy this wonderful club tunes

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

support by funk d void, gregor tresher, sebastien leger… with a string of releases on such well-known labels as ongaku, fieber, superbra, atlas, pornographic and primate – and carl cox infamous intec label. with his new release on circle, leandro proves that he is just as versed in slow hypnotic grooves as he is in making hard-hitting floor burners. three tracks that stand out with their exquisite feel and dense texture

played by oxia, karotte, chloe !!! look out, reality is on the way! dance as long as you can stand. now based in london florian meindl, the 21 year old austrian born dj and producer delivers the second release on his brandnew label with berlin based production partner oliver koletzki. here he combines his minimal techno style with strong modern electro beats and freaked out melodies. this is the sound of flash records!reality is on the way is a fresh mix of modern german electro and minimal, in the flashlights is a headthumping subwoofer destroying beast of a tune and light speed is more hypnotic then david copperfield

auf mikkel s dritten album gibt es eine kreuzigung aus scape, basic channel & klassischem minimal. die heilige dreifaltigkeit auf s vinyl genagelt von unseren dubhead aus kopenhagen

fifth release of the drumpoet community recordlabel out of zurich.thabo is also a member of the massive soultourist collective.take root is a bootybouncing detroit groove which is indeed irresistable and euphoric. dark rhythms meet cinematic strings for an ecstatic feel. take root has already created a buzz on various dancefloors and left no one stand around. with barcelona he provides another solid track and makes clear that the sound of thabo is fuelled for the future

swedish techno talent johan fotmeijer, with releases on adjunct, kailash and mitek, brings us the 3rd aesthetik release. he takes us down a darker and mysterious road with mental driving basslines, throbbing beats and some healthy jacking funkiness. dancefloors will tremble to mystikkal s fat bass and critters s dark atmospheres and vocals. bass addicts will stand in line for their fix. for deeper journeys female robot will provide the necessary juice for warming up dancefloors like it should. hakan libdo s remix of critters takes it down to a more twisted path with restless fat basslines and a dose of dancefloor madness. if you re looking for an ass shaking experience, here it is!

marc schneider comes around with a new 12 inch on hamburg based label was not was called >sniper ep<. the a side starts like a shot, to be thinking not to arrest somebody. groovy percussions, claps and hihats open the round dance, mysterious strings and a cryptic nice little melodie rounding this tune. when you get to the part of having to turn the record over you will be pleasantly surprised by what you find.. another assassin, hell yeah, hard pumpin basskicks, a dusky bassline, dark vocal snippets and psycho-soundscapes stand for for their own, party hard! the >sniper ep< is an unusual record, clever mixture of banging minimal sound and ravey structures, at the end there wont be survivors, only shoot dancers.. tip

corporate stand for hard, dark and jackin hard techno. after leo laker and switchblade comes tomash gee. he spreads his sounds via many of the most respected hard techno labels. after productions for cannibal society, methadon, carnage and crowbar he now conquerors the young us label corporate !!

2 massive tunes coming from the electro french school.top charted by lewis dene, mark knight, fedde le grand, erick e, david guetta, john revox, annie mac.massive electro disco club stomper with hypnotic driving basslines, right in the middle of actual tendencies.

great hands in the air italo disco tune. very obscure italian act from the mid- 80s with a crazy song about being a plastic doll or something. as far as we know this was the only release dharma did... probably the plastic she was made of wasn t the strongest quality... unfortunately that is because this release did definitly stand the test of time! great record and we are happy to be able to offer this again!

excellent deep grooving house 3 tracker with nice strings and amospheric synth riffs

joel muells newest outing which fits perfectly into the profile of the renowned frankfurt imprint harthouse consits of two diametrical deep tech tracks that stand out of the crownd. the heavier and darker a-side delivers the power to set off into a long night full of surprises, while the flips spaced out deep tech grooves should get the crowd into a higher state of consciousness with its tricky arrangements..

10 cool & experimental instrumental hip hop tunes

repeat orchestra (aka stefan schwander aka antonelli electr., rhythm maker, one half of the duo swimmingpool as well as being behind >a rocket in dub<) returns with another 12inch in his purest form of his electronic soul, based around live-performances, orchestral instrumentations and deep house. in a post-modern manner, the >asafa chords ep< operates differently as opposed to the standard sampling clichès of standard house-tunes that we hear on each and every street corner these days. the two pieces follow a minimal yet above the norm musical approach, with tricky and advanced rhythms and a strong groove that lets the listener dive deeper into the world of a one-man-band, who likes to express his version of afro-futuristic housemusic by bringing deep chords, live-played strings and lots more of his personal flavour into his production. . the result is a warm and wonderfully musical expression on the dancefloor that will guaranteed stand out from the rest.

this 12 kicks off with jam 2 tha mother,a track that has been doing the rounds for a while as a westpark unit track apparently. its a fairly nice hiphouse bumper.its all about miles though. the looped piano sample works wonderfully well with the straight deep disco beats. and while the original is good, the soulphiction remix is the icing on the cake. they give it a certain industrial/techy edge, and make the sample stand out even better. add to that some dope detroit beatdown bass licks and beats, and you ve got yourself a catchy tune

hot techno track ep,with 4 artists!!!!

the original crazy gang album from 1983 plays like a soundtrack of a fictive trashy 80s teenage movie, we ve taken 2 of the stand out tracks for this 12inch, remastered and extended. produced by claudio simonetti (some of the most memorable italo-disco productions and one of the founding members of cult-horror band goblin), along with 2 fellow goblin members (walter martino and massimo morante). every sunday is a unique blend of horror-disco and robot electro. deep vocoders in contrast with the child chorus turn this into a dark and intense track, surely one of simonetti s most electronic productions and an obvious wink to his goblin background. the original recording has been extended to 8 minutes, exclusive to this 12. telephone computer is a quirky electronic disco track with a bassline that sounds almost like ebm, which still has a very modern feel to it. includes the original album version plus a more dj and dancefloor friendly edit. delicious italo electro

as always with block, minimal, electro-ness is what s provided but this time with a subtle class that will simply blow you away. >killaz< slowly builds around an amazing melody, which changes with every turn. but wait till you hear >smoke<. jeeeezus! this is built round the mother of all bass lines and i dare anyone to try and stand still when this is playing

ellen allien and apparat, two headstrong musicians who indeed differ in their musical context but still come together not just at the peripheral rims, collaborated on an album together: >orchestra of bubbles<.by a deep plunge into the world of sound of their counterpart both are trying to find gateways in order to expand their own possibilities. while apparat used to stand for an algorithms-based aesthetics and ellen allien fathomed the possible heights and depths of the dance floor widthways as well, for their joint production they dabble in a principle which electronic music is dedicated to from the very beginning and which is now only spelled differently: contingency

excelllent minimal dubby detroit tech tunes

domino is true dirt crew style û dirty afterhours housemusic for the head, toes and itchy fingers. echoing bassline going thru the dirt crew machinery of slamming beats, dark athmospheric pads and the usual dirty samplework makes 'domino' stand out as true classic. like '808 lazerbeam' defined a whole sound, this one takes it 3 steps further with refined arrangments and finetuned dirtyness of highest calibre. 'break my body' is totally another story, relying on a funky break (who could guess its from break 3000, ehm.. ), murder kickdrum and the oldschooool bassline we could expect from the duo. its goes on, and on , and on , and on. but - what the heck, is works like a charm and its what we want, right ?

amazing compilation of finest detroit techno music from the head into the stand with terry brookes, vince watson, peel seamus, shed, speakwave, starfighterz, nubian mindz, dj yoav b. and newworldaquarium..

ultraphat deep and bassheavy detroit tech tracks... great follow up to the release on sven väths imprint cocoon recordings

here is a teaser for the forthcoming 'silenced' album, due in september. while the original version of 'trojan horus' is announced as the stand out track of the album, this 2 part version shows the dog in rather dark and oppressive mood.. dj support – rob da bank, paul thomas, tomaz, mixmaster morris

the third chapter in matthew dear s audion 12inch series is here, the true precursor to this fall’s suckfish lp. potentially the most insane and dancefloor-destroying of the group, following the already classic eps kisses and the pong. this is the sound of matthew dear s subconscious coming to life. mule-kick beats, dirty synth squelch and a bass roll-out that has already rocked everywhere from detroit to berlin. roman flügel (of alter ego fame) delivers a summer party-ready club bomber with his 23 positions in a one-night stand mix, which strips the original down to its essential elements but keeps the infectious energy of the original. guaranteed to rock. you have been warned

an anthem in the making, a sure fire hit on the dancefloor. i defy anyone not stand up and take notice when the break kicks in on this record! tried and tested on the dancefloor, support has already come from tiefschwarz, pedro winter, lucien n luciano & dj falcon. , comes with mixes by touche & turntablerockers

hypnotic techno is the name of the game & petar is god! check “heat” with some old school stabs & patterns to create the ultimate repetitive hypnotic dancefloor slammer! while on the flip, both tracks stand out because of their unique playability, one for the masses, without losing that hypnotic edge!

mista sweet presents: queensbridge to the hague city

nice price